Week In Review: 1/15/2012

image from Brendan Adkins

Welcome to another week in review at The Iron Tavern. I use these review posts to cover several items in one post that do not quite merit a post in and of itself.

Troll in the Corner

I recently became a contributing author over at Troll in the Corner. Ben had gone on a search for more authors to keep the content over there fresh and interesting. It looks like he has brought on a good crew and I am looking forward to see what the other new folk bring to the site. If you are interested you can catch my articles over there on Tuesdays.

Kingmaker Campaign

Things are going well in the Kingmaker campaign I am running. We missed this past week as one of our players could not make it and there was something that involved his character coming up that I did not want him to miss. Normally we would have gamed one player down, but circumstances and story dictated otherwise.

The group has faced their first major threat to their kingdom from another kingdom. The group was not real happy with the mass combat rules. I tried to let them know it was not a full mass combat system ahead of time so there would not be disappointment. We made it through, but I think their expectations were higher. Given the level of the characters when this occurs I think it might have been better to have the mass combat come earlier when the players would have been more content to lead armies than put themselves on the front lines.

If we can keep up our schedule for the next month and a half or so I suspect we will be wrapping the Kingmaker campaign up in early to mid-March. We shall see. It has been a fun campaign, but I will be looking forward to a chance to be a player again for a bit.

Open Design – Journeys West

I have been participating in the Journeys West project by the Open Design folks. So far I have been extremely pleased with my decision to participate in the project. Everything from the practice of pitching to the other patrons, to watching the others design and build and tweak to the Google Hangout opportunities with some of the others has made it a worthwhile experience.  I have made several pitches for various items so far and I think I have been making some improvements along the way. I look forward to what lies ahead for this Open Design project.

Timeless Adventures

Carl Bussler of Flagons and Dragons fame has been working on his self-publishing effort under the guise of Timeless Adventures. He’s tweeted a bit about it and been active on Google Plus as well. He has previewed various maps along they way and it looks like the project is going well.

I volunteered as a reader and hopeful play tester of the adventure. Those of us doing so received the first part of the module earlier this week and the final part arrived today. It looks very interesting and I am particularly interested to see how one mechanic works out.

I’ve started wrangling a play test group together. It is shaping up to be a remote session for those involved. At the moment I am leaning towards using Google Hangouts and sharing a Google Drawing document for combat encounters. I played with that setup earlier today and it seems promising and more lightweight than a full on MapTool session. Hopefully schedules will cooperate and we will get to see how that goes – both the adventure and the Google Hangouts and Drawing combination.

Gaming With Kids

As I have mentioned on the blog previously, my son received the Beginner Box for his birthday in December. We have had several sessions with that and he has been having a great time. He has also been studying the rule books on his own and seems to be retaining a lot of the information. He certainly reminds me of myself when I was only a year or so older than him and learning the D&D Basic Set.

We missed last weekend as I did not get an adventure prepared in time. I am all set for this weekend and will be playing Hollows Last Hope later today. He has been playing a Dwarven Wizard and his sister helps out as an Elven Cleric. We usually bring along one of the pregens as well. I let him choose which pregen to bring and he usually chooses either Merisiel or Valeros.

Weekly Wrap

And that is the week in review! I have certainly been keeping busy. Remember to watch for my Tuesday article at Troll in the Corner and keep an eye here for more!

New Version of D&D?

As everyone knows by now, Wizards of the Coast announced yesterday that they are indeed working on the next version of D&D (links to EN World, as the stunt NY Times pulled releasing the news early was playing dirty). This really does not come as a surprise to me, especially in light of recent events such as hiring Monte Cook and the feel of the Legends and Lore articles.

The Internet is abuzz with talk either on your favorite RPG forum, Facebook, Twitter or any number of other outlets. Several bloggers have written open letters to Wizards about what they would like to see and such as well. I feel I would be remiss if I did not at least put my two coppers in here at The Iron Tavern.

Regular readers will know that I tend towards the Pathfinder game for my fantasy gaming fix. I never really found 4e that attractive. Maybe I wrote it off too soon, but from the reading I did and the reading I still do there were just several parts of 4e that did not fit my wants in a fantasy RPG game. With that said, I have nothing against the people that do like to play 4e. I am glad there are plenty of games for people to enjoy and do not disparage one system over another.

This recent announcement of a new D&D version does have my interest, much more so than the release of 4e did. 4e was not the game for me, so seeing a rework of D&D as released by Wizards is welcome. Coupled with some of the talent they have on the design team, Monte Cook and Mike Mearls weighing in strongly in my opinion. I have also found myself agreeing more with the Legends and Lore articles than disagreeing with them, which I take to be a positive sign.

So at the very least they have my attention. While everyone that has played early iterations of the game are under NDAs to not talk about it, I do have some show stoppers in how likely I am to adopt the game that aren’t wholly related to the rules themselves.

First up, DDI. I do not like the concept of the DDI subscription with 4e and I would not like it with the next version either. Don’t get me wrong, I like electronically distributed content, but I like it to be in a form I can continue to use with a one time fee, not something I have to pay a monthly fee for continued access.

I want PDFs I can read on my iPad. PDFs allow me to read them when I am offline and I retain ownership of them should I not wish to pay a subscription. I like choices in character builders and I like character builders that I do not have to pay for on a monthly basis. Note that I did not say I don’t want to pay for a character builder, I just want to own it after I pay my money, not rent it.

So if 5e makes heavy use of DDI in the same manner 4e does I don’t see myself making any substantial moves to the new D&D version.

Another aspect that I have some concern about is the licensing of the next D&D version. I consider the GSL that 4e was released under subpar compared to the OGL that 3.x was released under. I really enjoyed the third party supplements that came out during that era of D&D. Was there content released that was not stellar during that era? Certainly. But there were some real gems out there. The more open license also allowed for better electronic tool support from third parties as well. I valued these things and the open license helped facilitate these things. A restrictive license with the new D&D version will likely also turn me away from the release.

Despite these reservations I am remaining cautiously optimistic about the next version of D&D. Hopefully good things come of it. If nothing else it will certainly be an interesting year watching how the next version of D&D evolves through play testing!

The Dragon Hoard

This post is part of the Got Loot RPG Blog Festival. Make sure to check out the other posts under the banner of this festival!

The dragon’s hoard. The very image of a dragon’s hoard is sure to draw immediate visions grandeur to any fantasy gamer’s head. Think about it for a moment, what images came to your mind when you read the title of this post?

I remember as a kid thinking of that huge red dragon dwelling in some deep, dark cavern lit by the glow of dimming embers from some unknown source. The floor of the cavern mounded high with coins, a mound that rivaled the size of the small hill at the local park. Amidst the near uncountable coin pile were more treasures – portions of armor, shields, swords of unknown legend, rings, chests and don’t forget the gems of a dizzying array of colors.

These images of a dragon’s riches have been a staple of fantasy for a long time. Smaug from The Hobbit was the first dragon to conjure this image for me. Later reading of various D&D rulebooks and monster tomes further cemented this thought of great red dragons sitting atop piles of riches.

That was then, this is now

Of course as we gamers play the game longer some of the things that once held mystery and excitement become the mundane. After defeating the great red dragon its treasure hoard becomes simply a pile of game statistics. How many gold coins, how many silver coins? Then a series of detect magics for sorting the magical items from the non-magical items which is soon followed by a series of identify spells and spellcraft checks to figure out just how many pluses and special abilities does that glowing sword have.

Treasure becoming mundane is not just a problem with dragon hoards. It is just the prime example of if even the dragon’s hoard can become mundane, loot held by other creatures during the course of a gaming adventure has no chance.

In fact I have posted previously about this issue in my Putting the Magic Back article just a month ago. That article was a broader look at magic items becoming mundane, here we will be focusing in on the dragon’s hoard and bringing the magic and mystery back to it.

Turning it around

Where do we start as a GM? What can we do to put the wonder back into this hoard of treasure the heroes are going to get when they put an end to that evil red dragon living under the mountain?

First, as the GM you must embrace the wonderful opportunity you have to make this dragon hoard part of something much more! This is your chance to introduce plot hooks galore or simply offer ways to explore the history of your world.

The ordinary

Let’s take a look at the more predominant item in the dragon’s hoard – gold coins! Lots of them! This dragon has been the terror of this region of your world for many years, right? It will only make sense that the coins in this hoard will not be ones the party is used to seeing in day to day exchanges. There will be coins from ancient civilizations. Describe some of these coins to the party as they find them. Note unusual depictions, perhaps of great structures that no longer exist or that serve to make the characters curious. Some of the coins are likely to have the visage of great leaders, or perhaps dictators of years past. Use these coins to build depth to your world with its histories and tie-ins to your present time in your world.

The hoard is quite likely to also contain normal objects from a different era as well. Lanterns of an old style, masterwork leather backpacks with unusual cuts or design and other such items a dragon is bound to accumulate over the years. Take a little extra time to write some short descriptions for some of these items. The extra attention to detail here will help convey a sense of age to this hoard.

The magical

Any dragon hoard worth its merit will have a plethora of magical items. Take some time as a GM and give a few of these items some stories. Not every magical item needs such detail but use enough to spice up the hoard with flavor.

That bastard sword with the unusual carving in the hilt, how did it get there? Perhaps a hero that fell to the dragon’s breath many years ago? Maybe the sword has a hidden opening in the pommel to hold something of personal value to the original hero that carried it, or maybe the sword is an intelligent sword to be unlocked and recant past tales of the hero, tales that could lead this current set of characters on to other locations and treasures.

That Bag of Holding that you find in the hoard, certainly it isn’t empty. Perhaps it held the belongings of another fallen hero. Belongings that may be magical in nature, or maybe it holds a normal walking stick that has carvings from the travelers day on the road.

The near complete skeleton found at the edge of the treasure hoard, the one with singed leather armor and torn backpack. Inside that backpack is an incomplete letter back home, perhaps a letter talking of the final days leading up to this adventurer’s assault on the dragon’s lair that ended so direly for him. The current party can end up with a feeling of others who have fell to the dragon’s wrath and possibly be motivated to return these remains to the fallen’s family.

Bringing it together

I have made several suggestions on how to make the dragon’s hoard a little more mysterious and magical. The hoard can serve many roles to a GM willing to put some extra time into the details. These small details can serve as the spice to build verisimilitude in your world, to introduce other hooks for the characters and so many other things. In addition to providing the GM powerful tools to further the campaign, they can equally serve to make the dragon hoard mysterious and wondrous again!

Putting the Magic Back

Remember when magic items used to be mysterious and cool? The excitement of finding a new sword, ring, or cloak was the highlight of the evening, second only to vanquishing that pesky foe.  These days it seems we have our checklists of magic items we want for our character and if that item is not in the treasure trove we just took, we will trade that magic hammer in and get what we really wanted to begin with. It has all become routine.

I often wonder if this is because we have been playing the game for so long or simply because as we grew older some of the magic lost its luster when it came to finding new magic items. Have we become too familiar with all the available magic items that we have simply become characters with a list of necessary items to complete the build or the concept?

Why Magic Items Lose Their Luster

From the familiarity standpoint there is certainly a case to be made that many of us have been playing for a long time. We probably know the descriptions of the more popular and frequently acquired items like the back of our hand. Rings of protection, cloaks of resistance, bags of holding – all must haves and something even first level characters know they want those items. It doesn’t take much for our characters to soon just have shopping lists. This does not do much to keep the magic and mystery in magic items.

Then on the other hand we sometimes get caught up with builds of characters. Builds aren’t just reserved for the optimizers, builds are also for certain concepts a player wants to roleplay. Inevitably builds seem to come with their own shopping lists in order to complete these builds just the way we want them.

And finally there is the naming convention some of the more common magic items use. Longsword +1, Ring of Protection +3, Cloak of Resistance +2 and so on and so on. This naming mechanism really depicts the magic item for the pure mechanical advantage it is.

Bring That Shine Back

There are a lot of factors conspiring against keeping the magic in magic items for anyone that has been playing RPG games for many years. What can a GM do to help put the magic back into magic items?

Kobold Quarterly just released the first in a short series on removing the game mechanic “plus” value from the item by substituting in a name for that level of bonus. The first article talks about weapons and armor and suggests a bastion shield would note a +2 shield bonus and +1 bludgeoning weapon would be a “thumping” mace. You can of course change these designations, but the article is certainly a launching pad for coming up with your own naming conventions to step away from simply listing a numerical modifier.

Another thing a GM can do is build a little history behind the magic item. Who had this ring or cloak before? How did it end up tucked away in a trunk in the back of this orc’s cave? Perhaps there were some initials sewn into the cloak or engraved into the inner band of the ring.  The player may never fully investigate the history, but he will quite likely remember that the cloak he wears had initial sewn into it when he found it.

Sometimes the manner of getting the magic item into the character’s hands can make a difference. I had a GM give one of my characters, who at the time was a two-weapon ranger type, a finely crafted bow via a minor goddess. This shifted my character’s whole motif with him retraining feats and such to learn to use this bow more effectively.  The character even went as far to turn in a magic sword he had obtained previously to a deity’s temple so he could focus on the bow.

Most games I play in have access to the ever popular “magic shop”. Magic shops can certainly vary under different GMs though. One way to help make magic items a little more special without banning magic shops is to just limit their availability of items a bit. Do not assume that any item a character ones can be found in the magic shop. There should be some scarcity to not quite so common items. Sure, a bag of holding? Good chance the shop has that or can get one pretty quickly. A +5 Holy Avenger? Eh, not so much.

By limiting the magic shop’s supply a little you can help make going to a magic shop feel more like going to Half Price Books hoping to find that legendary Deities and Demigods book with Cthulhu rather than going to WalMart to buy a gallon of milk. The scarcity is not to punish your players, but to let them know sometimes it takes a little work to get just what you are looking for.

Summary

Tackling the lost luster of magic items is not an easy task for groups that have lost it. The GM will have to work a little harder with some of the suggestions made above to make magic items fun again. Add in that it is a fine line between keeping the player happy and trying to put the magic back into magic items the task difficulty further increases.

Still work with your players, you do not want to deny them characters they find fun. But maybe that item they desire so badly isn’t available at the corner magic shop just yet. Maybe that noble in town happens to have one that he is offering as a reward for clearing the family crypts of the undead that have infested it.  The extra effort needed to gain magic items just might make it that much more special to the character and put some of the magic back in to magic items again!

Thinking Like A Villain: Tricks & Traps

This blog post is inspired by this month’s RPG Carnival subject of villain’s tricks and traps and how does the GM effectively use tricks or traps on behalf of their villains.

I suspect many find this a fine line to walk when determining how to place traps or plan tricks. Is the trap you are planning appropriate for your villain? How do you tell? Will the players think you were unfair?

It is easy as a GM to put a trap or trick in place, but one must do so in a manner that is fair to the players and furthers the game. Blindsiding players with tricks from nowhere is not fun for anyone – okay, maybe fun for the GM, but you won’t have many players for long! Well planned, villain appropriate tricks and traps are much more fun for everyone involved.

Strategy

One strategy is to take a step back and think for a moment about the villain in question. Who are they? What are their motivations? Are they an intellectual villain or perhaps a crafty villain or perhaps a villain by chance? Are they concerned with their plans being found out and pinned to them? Taking some time to think about these things can help with the decision making process when determining what traps and tricks the villain in question would be capable of.

A villain that tends to use his head may plan out an intricate trick or trap, likely involving several layers to further themselves from being accused of the act. A less thinking villain, but cutthroat villain may rely on brute force effectiveness. The trap or trick may have fewer layers of complexity but more outright brutality and carnage.

Beyond the basics of just taking a closer look at the villain and what drives them the GM can move on to consider just how much does the villain know about the heroes. Are they being considered a genuine threat to the villain or simply an inconvenience? Has the villain been observing them or gathering information about them? These questions can further help the GM determine how thought out the trick or trap might be that the villain sets in motion against the PCs.

Villain A

Let’s take Villain A. She is a plotter and well versed in the ways of the politically correct as well as the actions that take place behind the scenes to gain her position of power. Intelligent and charismatic she is a very real threat, but has strong motivations to never be attached to her plots against others. She tends to learn all she can about her enemies and use that information to her advantage before setting her plans in motion.

Villain A is much more apt to have a much more intricate plan to trick or trap the heroes she considers a threat to her grand plan of gaining power. She has motivation to end the threat the heroes are to her while minimizing the chance of any action taken against them resulting in her being marked the responsible party.

Villain A is the type of villain the GM can really work out the intricate plots and layers to trick or trap the PCs. Organizations or gangs working as buffers between the actual villain and the PCs so that if (and most likely when) the plot is foiled the PCs still have a difficult time pinning the plot on Villain A directly.

Villain B

Now we look at Villain B. He has made a name for himself on the street. While not the most intellectual man, he hasn’t survived life in the streets without knowing how to get what he wants. Often getting what he wants is through cold acts of brutality. He lives by his reputation as a no holds barred individual. He sees a threat and moves straight to eradicating that threat with plans to do so definitively removing the need to thoroughly research the heroes before doing so.

Villain B is has very little concern about people knowing it was him or his people that exacted some form of trap or trick on the heroes he deemed a threat. His reputation demands it. For him a swift, brutal attack in an alley arranged under the guise of an information exchange is perfectly valid tactic.

The GM can play Villain B as a cold and cunning individual. The traps and tricks are simple, but effective. One is not as likely to find as many layers in the trick setup against the PCs from this type of villain, maybe a small street gang that reports to the villain, but not much more than that.

Player Reaction

By thinking about your villains and determining their mindset you can more closely develop traps and plans that are more representative of the villain. Together this helps present greater verisimilitude for your world as traps and tricks employed by your villains seem to match their mindset.

This means traps and tricks by Villain A are going to be much more deceitful and sprung with potentially much less warning or indication that what the PCs are about to walk into is a setup. Meanwhile the PCs are much more likely suspect something or at the very least not be surprised as greatly when Villain B puts his machinations into play.

This also allows the GM as range of tools at his or her disposal when plotting against the PCs. The complex plots and tricks he wishes to weave are perfectly appropriate when being orchestrated by Villain A. For times the GM wants to spring something much simpler he can unveil Villain B.

Player reaction to tricks sprung by the GM’s villains is more likely to be favorable if the GM works within the complexity and clandestineness level of the villains at play.

Summary

I have taken a brief look at how a GM can study their villains and use their motivations and style to help shape the tricks and traps set in place against the PCs. Providing examples of two types of villains there are many villain types that fall in between the two examples I outlined above. In some cases Villain A may have enlisted a Villain B type to do her work to further insulate her form being found out.

One of the most important things you can do as a GM is to really learn your villain’s aspirations. It will not only make designing tricks and traps used by your villains easier, it will help make many other parts of your game easier as well.

We Need Intro Sets

Earlier this week Robert Schwalb posted his Mythical New Gamer article over on his blog. In the post he expresses his skepticism about the success of introductory or starter sets actually bringing new people into the hobby. With big-box bookstores struggling and those that do exist putting the sets in the sci-fi/fantasy sections they lose some of their visibility or become products for those that already have an interest in starting pen and paper gaming. He then boils it down to three different customers – those that want to switch game systems, are trying to complete their collection and those that want to get someone else in the hobby and using the intro product as a crutch to do so.

The article is a good read and well worth taking a look at. He has several interesting points – some I agree with and others not so much. I suspect this has a lot to do with how I got my start in gaming.

I was one of those that came pretty cold to the hobby back around 1981. When I was a kid I used to sell greeting cards as a bit of fund raiser once a year and like any of these fund raisers, the more you sold the more points you received to cash in on a reward. That particular year the reward catalog had the Moldvay D&D Basic Set as one of the offerings. As a young kid looking to spend some reward points that purple box cover with a green dragon rising up in some subterranean chamber called my name! I applied my points and waited for it to arrive.

A few weeks later it showed up at the house. I opened it up to find some booklets, weird looking dice and a crayon. HHmmm, did someone forget to pack the game board? And what’s this crayon for? Why aren’t these numbers colored in? Time to start reading! It took some time as a kid to make my way through the books, sort of learning the rules as the best I could. It took me longer than I care to admit to realize the cure light wounds spell was not talking about wounds caused by light.

See, I grew up in a very rural area. There weren’t a lot of people my age nearby, there certainly wasn’t an Internet, and the nearest game store was 45 minutes away. There wasn’t anyone to teach me this game or even someone to give me an overview of what a roleplaying game was. In fact it was probably another two or three years before I finally found someone in school that knew about and played D&D and that was only after we hit middle school where the satellite elementary schools were combined into one, the great mixing of the rural kids in our district.

But I stuck with it. I slowly read the rules and gained enough understanding to play with some resemblance of the game as it was supposed to be. Eventually I taught some of it to my younger brother and other times I played solo games. I fully credit the Moldvay D&D Basic Set as my start into these many years of RPG enjoyment.

This set was something that I as a kid picked up with no previous exposure to RPGs. I did not buy it at a boxed store and an evangelist of the game did not give it to me. But it opened the door for me to the world of RPGs.

I think that is why I like the intro and starter sets and believe they are needed to continue growing the gaming hobby. I was excited to see Paizo putting out the Pathfinder Beginner Box. Because I know there are not always game shops close or mentors available to help teach you the game in those early years.

Good introduction sets include everything I need to play the game in one purchase. This is important to someone new to the game who might not even know there are dice other than a 6-sided die much less that they are needed for the game. Anything that lowers the hurdle to the entry to the game is a good thing and another legitimate avenue to bring new people to the game. Introductory sets fill this need.

Getting the intro sets into potential new gamer’s hands can be a tricky issue given our niche hobby. But the answer isn’t to not make introductory sets, it is to figure out how to get them into new gamer’s hands.

Review: The One Ring

Publisher:   Cubicle 7
Audience:  GM/Players
Price:  Print+PDF – $59.99
Pages:  Slip Cased Set
Tankard Rating:  4.5/5


The One Ring: Adventures over the Edge of the Wild

The One Ring: Adventures over the Edge of the Wild is a new roleplaying game published by Cubicle 7 Entertainment and Sophisticated Games and written by Francesco Nepitello. I have made several other posts about The One Ring here at the Iron Tavern. I have written an Initial Look at The One Ring, a handy list of resources for The One Ring and The One Ring Unboxing. With this post I will be providing a comprehensive review of this new game that is based in Tolkien’s Middle-earth.

The One Ring (TOR) comes in a slip covered case and contains the following items:

  • 192 page Adventurer’s Book
  • 144 page Loremaster’s Book
  • Loremaster’s Map
  • Adventurer’s Map
  • Six 6-sided dice and One 12 sided die

The One Ring: Adventures over the Edge of the Wild is the first of three planned core releases for the game with other supplements to become available over time. This portion starts in the year 2946 of the Third Age in Middle-earth. This places it about five years after the Battle of the Five Armies which was at the end of The Hobbit. In addition the areas described all focus on the Wilderlands region which includes Misty Mountains, Mirkwood, the Lonely Mountain and the town of Esgaroth on Long Lake. The future releases will expand the geographical area and cultures available to be played.

Adventurer’s Book

The Adventurer’s Book is geared for the player of The One Ring RPG and provides an intro that does not assume future roleplaying experience, including a short example of play. Next up is the section on character generation where one can choose from one of six cultures – Barding, Beornings, Dwarves of the Lonely Mountain, Elves of Mirkwood, Hobbits of the Shire, or Woodmen of Wilderlands. This section provides information on all the customizations a player can make for their character.

Artist: Jon Hodgson

The following section goes into the mechanics with a more detailed look at the attributes, skills, traits and introduces the endurance and hope mechanics of the system. This section also contains more information on the gear you can select and how encumbrance functions in TOR.


Continuing on in the Adventurer’s Book we reach the Character Development section. Here we learn about valor and wisdom, virtues, rewards and finishes with life and death in the game, states of health and how one gets better if they are injured.

The fifth section provides additional information on action resolution, how tasks are resolved, the dice mechanics and the importance of the journey. Traveling through various areas require a number of checks which can lead to a hazard as you travel. Combat is also addressed in this section of the Adventurer’s Book as well.

The final section of the book talks of the Fellowship Phase which is the opportunity the characters have to recover from their journeys and adventures through the Wilderlands. It covers how the heroes can develop their character further during these phases.

The Adventurer’s Book includes a pre-generated character for each culture and also a blank character sheet for creating your own characters. The book does include an Index.

Loremaster’s Book

Within the Loremaster’s Book we find a section that explains what the Loremaster’s role is in playing the game before moving into the next section on the Game Mechanics.

Artist: Jon Hodgson

The Game Mechanics section takes a much closer look at the structure of running a game including the Adventuring Phase and Fellowship Phase. Dice rolling mechanics are covered, resolving actions, how to run Loremaster characters within the game. How characters advance and how to award them is included as well as more details on the Journey aspect of the adventure and how to plot the character’s journey to determine how many hazard checks they will need to make. Combat finishes off this section with a more detailed look at it from the Loremaster’s perspective.


The third section is most akin to the bestiary section. The ever present Shadow of Middle-earth is covered and the influence of the Shadow leading to corruption. Then the primary threats in the Wilderland region of the Middle-earth are covered which include orcs, trolls, spiders and a few more creatures.

The following section gives the reader more information on creating a campaign within the world of Middle-earth. It tells about the region, the timeline and some of the world events in that region to help provide the Loremaster with enough background information to start their own campaign.

The final section of this book is an adventure called The Marsh Bell to help a Loremaster have something to work with for their first adventure using this rule-set.

Accessories

There are two fold-out maps that come in the slipcover, one for the Loremaster which has hexes on it and keyed to indicate difficulty of passage and whether the land is affected by the Shadow or not. This is to allow for the calculation of journeys the fellowship may embark on.  The Adventurer’s map shows the same geographical area, but without the hexes and difficulty of terrain keyed on it.

The game also comes with its own dice which have some notations specific to TOR mechanics. There are six 6 sided dice with the numbers 1-3 marked in outline and a tengwar rune on the number 6. The d12 has the number 12 replaced with the Gandalf Rune and the 11 replaced with the Sauron eye.

Mechanics Summary

Characters have three main attributes – Body, Heart and Wits. They also have a collection of skills and traits. Instead of hit points the characters have endurance scores which have points removed when they are hit during combat. If you fall below a fatigue score then the character becomes weary which has an effect on the dice rolled during combat. A character also has hope points that come from a limited pool that are primarily spent to allow an attribute score to be added as a bonus to a skill or combat check. 

 A character also tracks their Shadow rating. One accumulates shadow points in several different ways, once the number of hope points falls to less than or equal to their shadow score they become miserable. If a character who is miserable has a Sauron eye show up on the d12 they suffer from madness and temporarily lose control of their character.

Skill resolution is handled by rolling a number of d6 dice, plus the d12 feat die. You roll a number of d6 dice equal to the number of ranks you have in the skill. For example, if you have two ranks in Athletics and need to make a skill check you would roll 2d6 + d12 to try to beat a target number (TN). An average TN is a fourteen. There are varying degrees of success indicated by rolling a 6 (with the Tengwar rune) on the 6 sided dice. One 6 is a great success and two 6’s is an extraordinary success. Rolling a Gandalf rune is an auto success and rolling a Sauron eye most often means the result on the d12 counts as a zero.

Combat resolution works very similar to skill resolution. A character has a number of ranks in their weapon of choice and that indicates the number of 6 sided dice they roll. The TN they roll against is determine by their stance in combat. Which can range from an aggressive stance to defensive to ranged combat. If the roll also exceeds the edge rating of the weapon then the opposing side needs to roll a protection check to avoid being wounded. The armor one wears helps determine how many d6’s are rolled for the protection check.

The Good and the Bad

The One Ring is a very solid offering. The artwork in the books is outstanding and goes far in putting the reader in a Middle-earth mindset. The art really sets the imagination running as you make your way through the books.

Artist: Jon Hodgson

The mechanics also do a very good job of emulating feel of Middle-earth adventuring as well. From the emphasis on the journey itself and not just the destination much like a fair amount of Tolkein’s work. The addition of the Hope and Shadow mechanics also serve to further reinforce that there is this constant Shadow in the world that seeks to drain your strength or corrupt your being. These feelings can be difficult to emulate through rules, but I think The One Ring has done a great job at getting this feeling from the game.


I have play tested the combat several times against varying party sizes and numbers and types of monsters. Once you get used to the combat round it flows very quickly. Since you fight by stance there is less reliance on precise tactical movement allowing you to narrate freely and also greatly reduces the need of a battle mat for play. Battles can range from trying to wear down someone’s endurance to rapid turns due to wounds being scored against your opponent. In one test battle against a troll the heroes barely pulled it off, running it again later and the troll went down quickly.

The largest complaint I have is in regards to the book layout. I find myself frequently hunting for some rule information and the information is often not near the section you would expect it to be. This sometimes gives it a disjointed feel – the rules are all there, they just aren’t always logically grouped together. This is a relatively small complaint and not a game breaker by any means.

The One Ring is a great release. If you have an affinity for Middle-earth gaming with a relatively rules-light rule set and enjoy excellent artwork it is well worth picking this product up. It is sure to provide enjoyment to long time Middle-earth fans or even those new to Middle-earth gaming. 

Tankard Rating

4.5 tankards out of 5 tankards.The One Ring at The Iron Tavern

Game Scheduling

My group is on the brink of canceling this week’s game for what I think is the third week in a row. Next week definitely is not happening either as our normal host is out of town and his location is the most central for a rather geographically dispersed group.

This rash of cancellations comes in the wake of a hiatus from our Kingmaker campaign due to some issues that was going to cause me to miss several sessions. I felt it better to announce that to the group and get one of the other GMs to run a few things during that time so my absence did not affect the group so much. In short, it has been pretty sketchy gaming for our group since mid-July.

Up until this point though, we have been a pretty successful at having regular gaming sessions. We are a group of gamers that have been playing together for six, coming up on seven years now. We have a solid core and haven’t added a new player for a couple of years. Each of us has been playing RPGs in some form for the past 25+ years. As you can guess, this puts us all in the working bracket and several with families at home. These factors all contribute to making scheduling difficult.

We see this on various RPG forums all of the time. “I’m too busy to get together to play.” or “It is too hard to get games scheduled.” Save for our recent issues though we have had a few strategies that have contributed to our group’s success at scheduling, even with quite active schedules amongst our members.

We started out with committing to playing every other week when the group first formed. We had a set day of the week and everyone made sure to get this scheduled on their personal and family calendars. This worked quite well. Then we decided every other week was not enough and we went to a weekly schedule at this point. Again we started by choosing an agreed upon night of the week to play. Those of us with a family at home made sure game night made the family calendar.

The added component to this for between game communication is a set of message board forums we use for a variety of things – IC roleplay between sessions, OOC forums and an off-topic set of forums where scheduling can be discussed. This helps in the situations where some event does trump the normal game night. We can discuss it well in advance and if possible make other arrangements. Frequently this is accommodated by shifting the night we play for that particular week other times it does result in the cancellation of the game that week.

Ultimately the key to regular gaming in busy adult lives appears to be having a consistent set night to game on and a reliable means of communication between sessions for times something does come up for one of the players.

We do have one other rule of thumb that helps minimize cancellations. We are willing to play a character down if need be. Our group would rather play a person short than cancel a session. Over the years this has worked out well for us and certainly minimized the number of games we have had to cancel.

What strategies has your group enlisted to help with your gaming schedule in these busy times?