Barrowmaze and Labyrinth Lord

Posted on April 29, 2014 by Jeffrey Tadlock

Tuesday nights are normally my Dungeon Crawl Classics game night with my online group. Between a vacation for one member of the group and school/finals for another it seemed best to take a two week break from the DCC game. But for the rest of us, we decided to step into the early depths of Barrowmaze for a two week break.

I’ve posted a bit about Barrowmaze here at The Iron Tavern before. Last summer I ran parts of it with the Swords & Wizardry ruleset. Regular readers know I am a big fan of Swords & Wizardry and post about it semi-frequently here. Iron Tavern Press even uses the S&W ruleset as its default rules assumption.

But for this Barrowmaze Delve we will be using Labyrinth Lord. The biggest reason is that a lot of the folks playing already use the Labyrinth Lord ruleset in other games. Their familiarity will let me focus more on the game than on the rules.

Others will notice I released a Labyrinth Lord conversion sheet for Kajak’s Kave. So I thought a little more time with the ruleset could be beneficial if I decide to convert some of the other Iron Tavern Press products to LL as well.

Preparation Steps

So what does one do when they decide to run Barrowmaze about 5 days before game time? Since I’ve read and run it before, a lot of the heavy lifting was done. I just needed to be sure my resources were close at hand and I would have the information at my fingertips. I typically don’t prep a whole lot for games, but I do like to have what notes and resources I do need easily accessible.

Rules

First, I needed to re-read the LL rules. Now I started on Moldvay, so LL is an easy fit for me. But I gave the rulebook another read so I had the rules more clearly in my mind and so I could look up rules if I needed to.

Part of this phase also involved started a Barrowmaze Delve info sheet to help my players know which optional rules we’d be using and which we wouldn’t. Nothing major here – no AEC, just the main LL book. Max hit points at 1st level, group initiative, variable weapon damage, and morale checks when I remember them!

Some of the key things regarding surprise and such were jotted down as notes on the folder I will be using to hold some of my printed reference sheets.

Speaking of which – I did grab a Labyrinth Lord screen. It was for the AEC rules, but a few small tweaks and it was good to go. The biggest thing I wanted on hand as the Attack tables and Saving Throw charts. We are using descending AC as written. It has been a long time since I’ve run something with descending AC!

Index Cards

I tend to use index cards a lot when running a game. They make great name displays for face-to-face games, handy for not passing, NPC characteristics, and even session notes. The prep on this front was primarily gathering up my spare index card holder, making sure I had my different colored cards, and pre-labeling one for rooms explored, so I know which rooms need re-stocked. I still need to make up a few initiative cards, but that will likely happen as the hangout launches.

The Module

I had already read most of Barrowmaze and run some of the early portions of it. I re-read the unique characteristics of Barrowmaze. A few of these items made it to my notes on the folder to remind me of them when I run.

Then of course I read the early sections of it, where they are most likely to go first just to have those sections fresh in my head.

Maps

I will be using G+ Hangouts and Roll20. While I don’t use minis when I run online, I do like to have a map for some form of context (though I am tempted to have them map it out, but that takes so much time). So I bought the map pack and then loaded up Gimp to make a Player version of the map to use in Roll20. Now I have a version where the secret doors and trap indicators have been removed. I also split the into two sections to keep things snappy in Roll20.

In addition, since this is only a two week session, I modified a map the party of adventurers will have that help guide them to the main entrance of Barrowmaze. In a longer campaign I wouldn’t do this, but I want to see them get to things quickly – so this modified map they will find in character will help facilitate that.

Background

In the info document I shared with the players already, I also included a map of the starting town, Helix, and listed a couple of places in town. Some of this is so their characters can have a bit of relevant background. And also so we can jump right into the game.

Wrap-up

And that is how I prepped for a Barrowmaze Delve. We shall see how it works out, but I think I have things positioned well for a great two weeks of gaming before we return to our DCC campaign!

Episode 16: The Streets of Cillamar

Posted on April 28, 2014 by Jeffrey Tadlock

‘The Streets of Cillamar’ is the sixteenth episode of a Dungeon Crawl Classics RPG actual play podcast. Additional information can be found at http://irontavern.com/podcast.

Session Synopsis

Escaping the intricate tower defenses Leotah had set for the raiding adventurers, Meffridus planar stepped the party out of sorceress’ extradimensional playground. Choosing Cillamar as their destination the adventurers found themselves in front of the renowned Inn of the Slumbering Drake. Seeming an appropriate place for the weary adventurers to get a feel for the town. Inside the party enjoys food and drink under the soothing tones of Brianna the musically talented bard while enjoying a game or two of Dragon Darts.

Download Link: http://irontavern.com/wp-content/uploads/2014/04/Episode-16.mp3

Credits

Intro and outro music is ‘Wrecking Ball’ from 137 from http://music.mevio.com.

Dragons!!

Posted on April 23, 2014 by Iron Tavern Guest Blogger

“Shhh. Be vewy vewy quiet, I’m hunting Dragons!”

I know others who have noted the lack of adventures that end with the locating and slaying of a dragon. In my own campaigns dragon encounters are always remembered. They are rare, but each encounter was unique and challenging. The dragons were played intelligently as the apex predators they are. The PCs many times had to make deals with the Dragons as they were unable to defeat them in combat. Dragons I feel should be epic and never a throw away encounter. It never mattered if it was just a faerie dragon or pseudo dragon or a big bad kick your ass red dragon. That is why this week I showcase not one, but two similar adventures that each build up the PCs to tackle a single Dragon.

Originally I was just going to discuss one module, EN Publishing’s To Slay a Dragon. It was a Kickstarter I participated in and I think it would be very fun to run. Last week though while figuring out what to buy with a 20% Barnes and Noble coupon I found a copy of the Dragon’s Demand, a module by Paizo Publishing.

The two are very similar, not just in module theme, but how they work. Each is set in a very small town the players characters can explore, find mystery, and meet interesting NPCs. Each town has its own unique history waiting to be discovered. Each module has a series of side quests the PCs can accomplish to help gain treasure and XP. Each module is in three parts, which while common for plays, is not so common in module construction. Each module has the PCs gather items of power to help slay the dragon and each module assumes the PCs will get up to about level six or seven before fighting the dragon.

Sadly though if I were to just recommend one it is not even a contest. To Slay a Dragon is a much better product. It is larger by almost 100 pages and it is less expensive to purchase. The extra pages are devoted to setting which I appreciate. The Dragon’s Demand really has a lot to be desired within the four pages it gives to describe its town. To Slay a Dragon devotes more space to just describing the NPCs and that is without stat blocks. It is not just the attention to the setting. Dragon’s Demand is a more typical adventure of dungeon crawls with A leading to B leading to C. To Slay a Dragon takes a different approach and makes the first two parts a sandbox experience. There are a lot of options for the characters and they are free to handle them however they want.

Dragon’s Demand starts off weakly. Getting PCs to the adventure is not always easy and in some cases, like this, a bit too heavy handed but I think writers can do better. PCs arrive in town as part of a caravan. The caravan owner is arrested and the PCs get stuck in the town. A tower falls over and the mayor decides the PCs are the only competent people she has to investigate it. At the very least I would make investigating the Tower seem dangerous and the PCs are hired to do so because no one wants to take the risk. There are quests the PCs will discover, but I dislike that the actual adventure is part of the list of quests. It seems like not enough XP is in the adventure and so when the PCs accomplish items like explore the collapsed tower they get bonus XP for it. I would add in more monsters or traps, making it more dangerous, but increasing the amount of XP.

In the second part the PCs explore the manor house of a wizard. It has magical traps and other surprises inside but the biggest surprise comes from the PCs not being allowed to keep anything they find. Aside from keeping the adventure going there are few reasons any PCs would ever to agree to terms of that kind. Killing things and looting them is one of the basic assumptions in the game. The module is also a lot of dungeon crawls. It is comfortable and what players are used too but I like it to be mixed up every now and again. When everything turns into a dungeon crawl then things seem very similar.

By the time the PCs get to the dragon they should have enough items to really make the battle easy. It is only a Green Dragon, so not the toughest. If all the items are not enough the PCs can call it by its real name and that will weaken the creature even more. It is a CR 11 creature for PCs of 6th or 7th level, so it could be tough if they miss some things.

By contrast To Slay a Dragon is mostly sandbox. It gives the PCs plenty of time to explore the town and meet fleshed out NPCs. They don’t have to do all the quests and can really enjoy the first part of the adventure. The second part with the fear of the dragon hanging over their heads is also a sandbox but with the dragon killing whole towns it makes the creature seem rather fierce and dangerous. The PCs only hope to defeat it is with a few unique items they must find and find quickly. If the PCs kill and get all the XP they might be 9^th level by the time they face the dragon but more likely will be lower. This dragon is CR 14 so a whole lot tougher and the fight will feel like a better victory. The treasure will also feel earned. This is not the appropriate treasure for a CR 14 creature. This is the appropriate treasure for a dragon that has been raiding and stealing from people for centuries. It is a treasure trove worthy of a dragon.

I hope to one day get to run one or both of these. I like adventures that build up towards something epic like these do. It is nice to have one module that covers all of the lower to mid-levels of the game. To Slay a Dragon is the stronger module but it is also larger and has more room to fit into it the details and extras that I really appreciate in a module.

Chris Gath. I’ve been gaming since 1980 playing all kinds of games since then. In the past year I’ve run Pathfinder, Dungeon Crawl Classic, Paranoia, and Mini d6. My current campaign is mini d6 and we are using that for a modern supernatural conspiracy investigative game. On some forums I’m known as Crothian and I’ve written a few hundred reviews though I took a sabbatical from reviewing for a few years as it burnt me out. I was also an judge for the Gen Con awards (ENnies) six times. Jeff, the owner of this blog, is one of my players and a good friend.

Skull Cave Preview

Posted on April 18, 2014 by Jeffrey Tadlock

This weekend I will be putting the finishing touches on the next release from Iron Tavern Press – Skull Cave! Here’s the blurb from the title page:

A Swords & Wizardry compatible adventure for 4th to 6th level characters.

Centuries ago nomads found a cave and felt drawn to perform their death rites to dark gods within its confines. Years of ritualistic blood offerings to malevolent forces has fed demons deep below the cave. The nomads have long since disappeared, but a recent earth tremor has freed the demon spawn from their prison deep below the surface. Seeking blood of victims to fuel their infernal fires they have moved closer to the surface and begun their hunt.

And even though Iron Tavern Press does not use cover art in this product line, don’t fear – we do use art inside! Here is a preview:

Artist: Frank Turfler

Episode 15: Running the Gauntlet

Posted on April 15, 2014 by Jeffrey Tadlock

‘Running the Gauntlet’ is the fifteenth episode of a Dungeon Crawl Classics RPG actual play podcast. Additional information can be found at http://irontavern.com/podcast.

Session Synopsis

Finally gaining entrance into Leotah’s Tower the party finds themselves in a strange foyer of sorts. After investigation they discover the way onwards and find themselves facing an unrelenting gauntlet of challenges. Paying a heavy price to reach another chamber, Leotah presents one more set of tasks before the adventurers before she will grant them audience…

Download Link: http://irontavern.com/wp-content/uploads/2014/04/Episode-15.mp3

Credits

Intro and outro music is ‘Wrecking Ball’ from 137 from http://music.mevio.com.

Bards: Style and Substance

Posted on April 14, 2014 by Iron Tavern Guest Blogger

The Pathfinder Bard class is one I am well familiar with. The makers of the Adventure Paths love themselves a good bard NPC and in my earlier 2nd edition game days I used to play the odd bard here and there. The one problem with the bard is they get a little stereotyped most of the time. They pull the lute out or burst into song to support the rest of the party by giving them that +1 edge in combat. The good old morale bonus. but is the Bard truly just a utility class? Let us scratch the surface and find out more.

First, to break the bard “one size fits all” image, let us look at how they deliver their powers. Most of them are done through the Perform skill. The atypical bard plays stringed instruments or is a singer. Well let us branch out a bit from there. Breaking the stereotype is as easy as choosing different focused skills. For example, under perform you could have acting, mime, dancing, tumbling, comedy, magic shows, and the like. Imagine how that works in combat? Let me give you an example.

I once had a halfling bard (actually he was a duo act with another halfling bard played by another player) and we performed a tumbling act and were known as the “Zucchini Brothers”! I had specialized in a lasso and our performance in the midst of combat was to raise the famed morale bonus as well as provide a distraction to opponents. We did this by tumbling past opponents, lassoing weapons and ducking under legs. It turned our pure utility into a fun event that was colorful in description and purpose. Mind you, our GM did ban those characters as they made a fool of one too many of his NPC’s from memory. Plus they lassoed a +3 battleaxe artifact and made away with it causing some serious problems in game (this was before GM’s were meant to be fans of the players!)

Bards are not one trick ponies. Sure, most players understand the value of a bard in combat but look at all their other abilities. Bards are receptacles of knowledge. They can make Knowledge checks untrained! I am not sure about your games but in mine a lot of the information of the plot can be ferreted out utilizing various Knowledge skills. it makes the game plot a lot more robust and a robust plot is a memorable game in the players’ eyes. Having a bard and finding this information regularly allows for you to be in the hot seat for being able to lead a team of adventurers. it is not really about the strongest, but what and who you know which is all about knowledges.

Other performance abilities include countering sound based spells, inspiring competence in others, fascinating a crowd as well as giving them suggestions. There are also great performances that can be learned (using the expanded core books) that allow for even greater effects from the bard. It seems that the ones the player companions really get hooked on are the ones that give them a bonus in combat. While this is important at times, it is often more important to counter the spell that is about to destroy the party, or have the constabulary of the town suddenly become fascinated with why their horse is infected with ticks while you make away with the town treasury.

There are also the benefits to skill use as you progress in the class. You gain the ability to take 10 on Knowledge checks as well as taking 20 once a day representing your superior all-round knowledge. Then at tenth level you also gain the ability to use any skill untrained, even if training is required! This is a super ability but seems to be often overlooked by many that play a bard.

Of course there is the ability to use spells too, much in the same way as a sorcerer. That is a spontaneous caster. You know only a handful of spells per level but can cast any of them without the need to have them prepared. The spells the Bard gets tend to be a utility nature but they enhance the class features well. Apt attention to the spells you learn are a must as they will greatly enhance your character and their usefulness in every situation.

Bard’s are charismatic and knowledgeable. You may not expect to find one leading men into battle but you should not be surprised to find one acting as a tactician, general or spymaster. They have a perfect blend of social and functional skills that give them the ability to lead people. Followers always want to follow someone that knows what they are talking about and can present that information in a suitable manner. That is the bard through and through.

When you think of the bard, try to ignore that minds image of the fop in the big flouncy hat who strums his lute and sings of brave Sir Robin. Sure they exist but they are performers, not bards. Bards are inquisitive and skilled. They know how to work a crowd and do so to further their own ends. Most Inn’s have performers to draw in a crowd but most of these performers are not bards. They are musicians and singers, not bards. A bard may want to perform for money every now and again, and it is these performances that become truly legendary and memorable in the common persons mind.

Looking at the variant archetypes you can see how ranged the Bard can truly be. There is the Arcane Duelist, the Sandman, the Savage Skald, the Detective and many others throughout the books. These truly show the versatility of this class. it is a class that should not be overlooked in character generation and one that offers a true role-playing experience for the seasoned player. It also offers up a load of fun to a new player who is not yet sure what they want to play. Push them toward the bard because they are so malleable and can suit a style of play once the new player finds it.

Give the Bard a run. I promise you will not be disappointed! Keep rolling 🙂

Mark Knights is 40 year old guy living in a small rural town called Elliott in Tasmania, Australia. I have been role playing since I was 11 years old playing the original versions of Dungeons and Dragons, MERP, Elric, Dragon Warriors and the like amongst other genre games. I played D&D 2nd Edition through the 90′s but I ran Earthdawn for my fantasy setting and loved it as a GM. When 3rd Edition came out for D&D I tried it but found it too heavy on rules. I ignored the 3.5 edition of DnD in favour of Earthdawn (big mistake) as I thought it was just a money spinner. When 4th Edition DnD came on my players and I gave it a red hot go but hated what it had dumbed the game down to be. On a trip to Melbourne to buy some 4E stuff from a hobby store an old mate of mine pointed me at Pathfinder and in a Fantasy setting I have never looked back.

Happenings at The Iron Tavern

Posted on April 11, 2014 by Jeffrey Tadlock

Whew! I have not managed to post much here since my return from Gary Con VI! Thanks to Mark for helping carry the load with his Monday posts! It is definitely exciting times at The Iron Tavern and with associated projects. Today’s post just sort of covers what I have been up to over the past couple of weeks.

Gary Con VI

Gary Con VI was a wonderful time. It was my first time attending and the size of the con was a welcome change compared to the larger cons I tend to attend (Gen Con and Origins). I was able to hangout with some great people and put real faces to a lot of virtual ones while I was out there.

I played in several Dungeon Crawl Classics games run by Michael Curtis and Doug Kovacs (though some say the latter are Kovacs Crawl Classic games). I also got in a little bit of board gaming in the evening either before the next round of RPGs started up or shortly after.

I definitely hope to attend again next year. The size of the con is big enough to meet some new folks, but small enough to find the folks you already know. My only regret is not getting in on one of the Dungeon games while I was out there.

Spellburn

While at Gary Con all three hosts of Spellburn were in the same geographic location for the first time. Though all that exists of that is one picture that someone managed to snap for the brief time we were actually in the same vicinity!

Jobe managed to post some audio from the Goodman Games seminar while we were there. After several retakes of recording the intro as we played Red Dragon Inn with others!

The day after we all got back from Gary Con we had a brief conference call and should be back on track with recording Spellburn this coming up weekend. We know it has been awhile since we’ve posted an episode, but we should have this thing back on track quite soon!

Iron Tavern Press

I missed the March release! My goal had been to release a new product every month. I even had the product through its first editing phase and just needed to get it into layout and then off for its second editing pass. Other projects kept that from happening (and these freelance projects help foot the start-up costs of Iron Tavern Press while it gets going).

This month I have the next release, Skull Cave in layout. The text is all in there and I started the art selection earlier this week. I hope to make a big push and finish the layout this weekend and get it off to the editor for its final editing pass. Make a few revisions and get it out the door! More announcements to come on that closer to release date.

Freelance Project #1

I had a big turn-over for some conversion stuff I was doing for someone (hush, hush for the moment, but I don’t think it will be a secret much longer) prior to Gary Con. I polished up that turn-over and met the deadline. Feedback has been quite favorable and I expect to see some of the results this weekend if all goes well.

Definitely happy to have been a part of this one. The person running it has a high quality product and puts a lot of time into doing it right. I’ll post more about it as the covers are lifted.

Freelance Project #2

The other big project I have been working on is mapping related. Again, not sure how much I can disclose, but it is part of successful Kickstarter that funded a little bit back. I’ve been busy mapping and such for that. This project is coming along well and I think we’ve finally synced as the more recent map turnovers (and there are a lot of them!) have required much fewer revisions and tweaks. This project has been a lot of fun as well – lots more mapping to do on this one though.

Freelance Project #3

HHHhmmm, see the theme here? I am lousy at seeing how public some of the projects I work on should be. So I default to treat as if under an NDA until it is released. I should start asking more so I can publicize some of this! But this was a smaller mapping project that I squeezed in after Project #1 turnover. I am really happy with how the maps turned out on this one and can’t wait until this product is released as well. This one is all wrapped up now though.

DCC RPG Actual Play Podcast

I released an episode of this just before I left for Gary Con. Finished editing Episode 15 earlier this week. This weekend I will mix the audio together and folks should see it hit their feeds on Tuesday. The “heroes” are facing the most recent challenge of actually facing off with Leotah. Can they run the gauntlet? Or will Leotah live to fight another day?

Wrap Up

So that is what I have been up to! Lots of exciting stuff from Iron Tavern Press and other projects I have been involved with coming soon!

Blending Genres

Posted on April 7, 2014 by Iron Tavern Guest Blogger

How do you feel about blended fantasy? I mean taking the ideal of fantasy and moving it into another genre and playing a hybrid. I must admit that I never thought too much about genres until I began learning and developing game systems (mainly computer ones) and how much they have an effect on the audience.

I heard over the weekend that one of my old gaming friends (it feels like he is an old gaming friend but I met him last year on G+) will not play games like Shadowrun as he does not like blended genres. The Fantasy/Cyberpunk blend grates him the wrong way. Play Cyberpunk with him or Dungeon World and he is fine, but not Shadowrun.

My favourite system is really a blended genre game (sort of). Earthdawn is Fantasy Horror, but I like to think of that as Fantasy with a tone, perhaps not a genre. It is unlikely that I will have Jason from the Friday the 13th leap out on my broadsword wielding players. So I am curious as to how these mixed genres affect players.

When you play a game do you want it to fit into one category? Do you want Cthulhu or a World of Darkness game for your horror? Dungeons and Dragons (D&D) for your fantasy? A lot of these systems have done crossovers into other genres in their time. There is Ravenloft and Spelljammer for D&D covering sci-fi and horror. Even Cthulhu is beginning to bring out many different variant settings that could be considered cross genre.

I am running the Reign of Winter Adventure Path for Paizo at the moment and little do they know (though I am sure the cat is out of the bag now) the players will soon find themselves on an alien planet or two! The first is definitely a continuation of a fantasy scene but they will be a little bit in shock when they hit the planet after that. It will be a genre mash up they will not see coming!

The world of Golarion (which is Paizo’s in house world for Pathfinder) has a lot of these mash-ups built right on the one planet. They seek to give as many styles of game as they can so that it appeals to as many people as possible. It is a clever tactic, but is it isolating for you?

Let us start a conversation. Do these cross genre games annoy you or enthrall you? What would you like to see in a system if you could dictate its genre? Would you like to see a Fantasy/Sports game? How about a Fantasy/Robot-Sci Fi? Or would these ideas simply make you throw away your dice forever? Let me know what you think in the comments and keep rolling!

Stand Up!

Posted on March 31, 2014 by Iron Tavern Guest Blogger

Heroic fantasy requires your characters to wear their underwear on the outside and stand up! If you are planning on playing in a heroic fantasy game your character needs to be the one the King thinks of when in dire need. It had better be your name on the peasants’ lips rather than a gods when the Tarrasque crests the horizon because heroic fantasy needs heroes, not zeroes.

These are the tropes of heroic fantasy, and largely high fantasy. They are the Dragonlance Saga and David Gemmell’s books as opposed to Elric the anti-hero. So, how do you play a character in a fantasy game that seeks to make you the star that offers change to the world around you. To make things safer for the masses and become legends across time and space?

Heroic characters are bold characters. Their actions are never for themselves and they always attempt the impossible. If there is a hard decision to make it is the heroic character that makes it and it is always the decision that risks the most but achieves the huge win. For example, if there is a 10% chance you can get all the peasants across the gorge or there is a 90% chance you can save most of the peasants crossing the rapids the hero always goes for the hard option (the bridge) because it saves everyone!

Of course this means that true heroes are forces for good and they put that force above all else. It is OK not to listen to or bargain with the lich because it is an evil creature. There need not be any thought about that. Blast the lich because it is obvious it is evil. A truly heroic individual does not work in grey. Grey areas are things that exist in dark fantasy, not heroic fantasy!

The heroic character also tends to serve a force for good, like a good God or a kingdom. Make sure that does not detract from your character though. Toss it in as a catch phrase here and there (“By the power of greyskull!”) but make sure that it is all about you! The hero is the centre of the story and the reason is backstory. Don’t let it shine too much.

When interacting make sure you are the pure fit for your class. Finely toned fighters that move gracefully. Hooded rogues whose voice is like a whisper but cuts through any noise. A wizard in flowing colorful robes with a pointed hat and eyes that burn with power. You are much more than any non adventurer. Prepare some cliched words for when you meet your nemesis, because you can be assured that you will meet a nemesis in a heroic campaign.

Spread your legend too. If there is no bard in the town, hire one to follow you around and turn your deeds into song and poetry. Hire a bard to talk to the damsels or gents that you saved in your most recent action. Speak loudly in taverns of your latest exploits. You are no hero if no one knows your name!

If you know you are playing in that heroic campaign give some thought as you build the character on how you want them to stand up and shine. A good character will trump a neutral and an evil character but these characters can also shine in their own right. Just make sure you play the character bold and brilliant to ensure that the hero within becomes the hero that the whole world sees! Until next week, keep rolling!

Breaching the Tower

Posted on March 26, 2014 by Jeffrey Tadlock

‘Breaching the Tower’ is the fourteenth episode of a Dungeon Crawl Classics RPG actual play podcast. Additional information can be found at http://irontavern.com/podcast.

Session Synopsis

The assault is well under way as the group takes a two-pronged approach to circumventing the Wizard Tower’s defenses. With one group prepared to battle power iron sentinels in the courtyard and the other a colossal sized yellow ooze in the sewer tunnels. The battles are hard fought on both fronts and casualties mount as the party presses onwards. Reaching the front door of the tower the group prepares to enter and face Leotah.

Download Link: http://irontavern.com/wp-content/uploads/2014/03/Episode-14.mp3

Credits

Intro and outro music is ‘Wrecking Ball’ from 137 from http://music.mevio.com.